gio ponti con pier luigi nervi e ture wennerholm - carlo maurilio lerici cutural institute, stockholm, sweden, 1952-58

architecture

architecture, gio ponti, sweden

unavidamoderna: Vista de la Plaza de las Tres Culturas y Habitacional Nonoalco -Tlatelolco, México DF 1964 Arqs. Mario Pani y Luis Ramos View of the Plaza of Three Cultures overlooking and the Nonoalco -Tlatelolco housing development, Mexico City 1964

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William Kessler and Associates, Educational Facilities Building, Harvard School of Public Health, Boston, Massachusetts, 1968-1971

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#william_kessler_and_associates, #architecture, #educational_facilities_building, #harvard_school_of_public_health, #boston, #massachusetts, #harvard, #brutalism

archiveofaffinities: Hugh Stubbins and Associates, Charlesbank Apartments, 650 Huntington Avenue, Boston, Massachusetts, 1963

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February 21, 2017 📷 - @oliviariddering

WAI Architecture Think Tank Battle of the megastructures - New Babylon as the Southdale Center via plagiarismisnecessary

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#dpr_blog, #utopia, #utopias, #avant_garde

metamuseum: Armchair, Stronza, c. 1900Made by Liberty & Co., LondonOak and rushThe Wolfsonian–FIU, The Mitchell Wolfson, Jr. Collection, TD1990.269.1Liberty & Company, founded in London in 1875 by Arthur Lasenby Liberty, popularized home furnishings that embodied the ideals of the British Arts and Crafts movement. By the 1880s, the company began selling furniture commissioned from designers or imported from other countries. The “Stronza” armchair was an adaptation of a traditional chai...

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“He had brought a large map representing the sea,Without the least vestige of land:And the crew were much pleased when they found it to beA map they could all understand.” From  The Hunting of the Snark – An agony in 8 fits [Lewis Carroll, 1874] at deconcrete

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#mapping, #cartography

maihudson:“The choice of a square room is also the choice of its light as distinguished from other shapes and their light. Even a room, which must be dark, needs at least a crack of light to know how dark it is.”Louis I. KahnHurvah SynagogueJerusalem, Israel; 1968-74via “Louis I. Kahn: Complete work: 1935-1974”, Birkhäuser, Basel (1987)via “Louis I. Kahn”, Architektur Artemis, Zürich (1975)

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June 8, 2017

Gunnar Birkerts and Associates, Villa Ginny, Residence for Dr. and Mrs. Robert K. Ferguson, Elevation, Kalamazoo, Michigan, 1980-1983

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#architecture, #drawing, #elevation, #gunnar_birkerts, #gunnar_birkerts_and_associates, #villa_ginny, #residence, #house, #home, #residence_for_dr_and_mrs_robert_k_fer

Gymnasium for Hitotsubashi Middle School, Chiyoda-ku, Tokyo, Japan, 1962(Kiyonori Kikutake & Associates)

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acidadebranca: architectmagazine: Alabaster-clad bridges link the galleries within the Canadian Museum for Human Rights, and become illuminated at night.  #ARCHITECTURE # USA ANTOINE #PREDOCK Antoine Predock (born 1936 in Lebanon, Missouri) 2014 – CANADIAN MUSEUM FOR HUMAN RIGHTS, WINNIPEG, MANITOBA

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November 17, 2017

Супрематический сказ про два квадрата — Эль Лисицкий (1922 год) 10

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Клуб союза коммунальников им. И.В. Русакова. Перспектива бокового фасада. Архитектор Мельников К.С. Фото 1929 года

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pierre koenig - stahl house, case study house nr 22, 1636 woods drive, los angeles, california, 1960

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#architecture, #usa, #koenig

Comunicación y Bottom-Up | La importancia de como contar historias* Jueves 28 de junio | 20h – 22h | eme3 PlazaModera : Ethel BaraonaParticipa : Edgar González, Nerea Calvillo (C+ arquitectos), Paco González, Koldo Lus (Klaus), Tiago Mota Saravia (ateliermob), Ariadna CantisFila 0: Ana María León, Pedro Hernández, Clara Nubiola  idiomas : traducción simultánea español / ingles Hace ya bastante tiempo que se ha retomado la importancia de las prácticas colaborativas y bottom-up dentro del discurso...

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#debate_eme3, #communication, #public_space

March 11, 2017

Morphosis (Thom Mayne, Michael Rotondi with Frank Lupo, Joseph Ma), Sedlak Addition, Venice, California, 1980

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#architecture, #interior, #morphosis, #thom_mayne, #michael_rotondi, #frank_lupo, #joseph_ma, #sedlak_addition, #venice, #california

archiveofaffinities: Robert Venturi and Denise Scott Brown, A Page from Learning from Levittown  How architects deal with the real world: put it in a grid!

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#robert_venturi, #denise_scott_brown, #architecture, #urbanism, #housing, #levittown, #learning_from_levittown